The Opera Quarterly

期刊简介：Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, reconceived the journal with the goal of extending its reputation as a rigorous and cutting-edge forum for all aspects of opera and operatic production. Today, The Opera Quarterly sits squarely at the intersection of performance, theory, and history. Fundamentally interdisciplinary, it addresses both historical and contemporary developments on the stage and in the academy, embracing opera as well as considerations of voice and musical theater more broadly.

【译文】《歌剧季刊》自1983年创刊以来，赢得了歌剧爱好者和学者的热烈好评。 2005 年，多家歌剧院的剧作家、芝加哥大学的批评理论家戴维·J·莱文 (David J. Levin) 重新构思了这本杂志，其目标是扩大其作为歌剧和歌剧制作各方面严谨而前沿的论坛的声誉。如今，《歌剧季刊》正好处于表演、理论和历史的交叉点。从根本上讲，它是跨学科的，它涉及舞台和学术界的历史和当代发展，包括歌剧以及更广泛的声乐和音乐剧的考虑。