Stanislavski Studies

期刊简介：Stanislavski Studies is a peer-reviewed journal with an international scope. It focuses not only on Stanislavski’s work as actor, director and teacher but more broadly on his influence and legacy which can be seen in the work of many of the twentieth-century’s most influential theatre-makers: these will include Lee Strasberg, Sanford Meisner, Michael Chekhov, Stella Adler, Vakhtangov, Komissarjevsky, Meyerhold and the many others who were directly influenced by Stanislavski’s theories and practice. Intended to be accessible to both the academic reader and the practitioner, Stanislavski Studies collects together some of the best contemporary, international scholarship, translations of original articles written in Russian, and information about major research resources. As a forum for the analysis and discussion of the history, legacy and application of Stanislavski’s theories it will publish articles that investigate, take issue with, and consider the applications of his theories to contemporary theatre. The journal will contain reviews of essential new publications in the field, interviews and profiles, occasional play texts and discussion papers. The journal will be of interest to academics and professional practitioners and teachers interested in acting, directing, international theatre research, scenography, dramaturgy, voice and movement, Russian, non-Western and popular theatre forms.

【译文】《斯坦尼斯拉夫斯基研究》是一份具有国际范围的同行评审期刊。它不仅关注斯坦尼斯拉夫斯基作为演员、导演和教师的工作，而且更广泛地关注他的影响和遗产，这些影响和遗产可以在许多二十世纪最有影响力的戏剧制作人的作品中看到：其中包括李·斯特拉斯伯格、桑福德·迈斯纳、迈克尔·契诃夫、斯特拉·阿德勒、瓦赫坦戈夫、科米萨耶夫斯基、梅耶霍尔德以及许多其他直接受到斯坦尼斯拉夫斯基的理论和实践影响的人。斯坦尼斯拉夫斯基研究旨在为学术读者和实践者提供方便，汇集了一些当代最好的国际学术成果、俄语原创文章的译文以及有关主要研究资源的信息。作为分析和讨论斯坦尼斯拉夫斯基理论的历史、遗产和应用的论坛，它将发表调查、质疑和考虑其理论在当代戏剧中的应用的文章。该杂志将包含该领域重要新出版物的评论、访谈和简介、偶尔的游戏文本和讨论论文。该杂志将吸引对表演、导演、国际戏剧研究、布景设计、戏剧创作、声音和动作、俄罗斯、非西方和流行戏剧形式感兴趣的学者、专业从业者和教师。